Dan Goldman has a new comic up at Tor.com which loads one panel at a time. Works pretty smoothly.

What’s interesting for me (apart from the art and story, of course) is how seamless it felt on a fast connection where the panels dropped in right away, and how jarring it was on a slower connection when the whole page vanished between loads. Speed definitely improved the reading experience.

Since the early ’90s, I’ve struggled to look past glitches that had more to do with temporary technological limitations to the various new format ideas artists have been trying out. I’ve tried to look ahead to a time when all those problems would be solved—like, say, 2010. Ah well. Patience, patience…

Dan has an interesting interview about the project with Seth Kushner at Graphic NYC where he talks about the story and the process, with a nod to Yves Bigerel’s Digital Comics which helped inspire the format.

[Edit: Last night uploaded an unfinished version of this post, since I forgot to save the final. Above is the final version.]

We finally saw the “Mattress” episode of Glee on TiVo last night and Ivy and I were happy to see the silent pianist “Brad” get more face time.

Brad Ellis is actually part of the musical production team for the show, but I remember him from my own High School back in Lexington, MA, and before that, in Sunday School, where he had a habit of bopping me on the head with Hymnals while Bill McKibben and I argued politics.

Lexington… I’m telling you…

Anyway, someone should make a Glee T-Shirt with the face above and the slogan “It’s All About Brad!” It would totally sell. (Well, to us at least).

Spoiler Alert!

Just for fun, here’s a distant screenshot of all 466 pages of my rough draft layouts for my upcoming graphic novel (working title The Sculptor). This is as close as I can bring you right now, but as work goes on in the coming months, I promise to show some actual art.

It’s a testament to the speed of today’s processors—well, 2007’s processors—that what you’re looking at actually exists in a single file and if zoomed in, the lettering is readable. To get a sense of the scale, each of those dark gray rectangles is a two-page spread chapter divider.

When heading into rewrites and restructuring, it’s always helped me to step back and look at “the big picture.” For all my previous projects, including the all-digital Making Comics, I had to depend on paper layouts to get that kind of topsight, but for this project it’s all pixels from start to finish.

Oh, and yes, I still plan to make it shorter during the next two months, even though I had to adjust the count upwards from the last blog post.

I’ve updated the travel sidebar with upcoming trips to University of Houston, Philadelphia’s Germantown Friends School, and Indiana University South Bend (not to be confused with the Bloomington campus where I visited last Fall).

Philly is in-school and not open to the public, but both Houston and South Bend are public lectures. South Bend is even selling tickets already.

I’ll also be at UX London this May and Comic-Con of course. I’ll post details on other upcoming talks as they come together.