I’m even okay with the ’60s Batman-style sound effects! Thanks, everyone I’ve ever known for telling me about this as soon as I got home.
Oh, and hey, as long as it’s Random Friday, I’ve got a question: I’m dying to find a reeeeeally old music video from the ’80s—maybe even pre-MTV. It had a funky, electronic song (possibly no words) with black and white, photocopy-style animation. There was a recurring assembly line motif with hamburgers and hands and that creepy masonic eye/pyramid thing. Really cool and jerky, almost like it was made by a robot Terry Gilliam. Does anyone remember this video? I’d love to find it out there somewhere but I don’t know anything about the director or even the musician(s) involved.
UPDATE: It was the experimental film “Machine Song” by Chel White. Thanks to music video master Alex de Campi for the answer!
As some of you might have guessed, based on past blog entries, music is very important to our whole family. Sky is going to Coachella this year with a friend of ours and I’m envious, but after Italy, I’m going to be too eager to get back to work on the book, so I’ve got to miss it yet again.
I love that my daughter has been listening to bands like Passion Pit, Hot Chip, and Vampire Weekend* (all at Coachella) while simultaneously getting into Bob Dylan and Bob Marley, on LP no less—and that I had nothing to do with those last two. Well, any of them technically, (though I did discover Edward Sharpe and the Magnetic Zeros before her).
I used music constantly while working on the first draft of the layouts for the new book. I had several different playlists for different kinds of scenes and I’d go for long walks trying to imagine sequences, while letting the music sustain the mood I was going for.
Recently though, I mentioned this to my Mom over the phone and she said she hoped I took the headphones off once in a while to listen to the sounds around me too. (Which is both reasonable, and exactly the kind of thing you count on a Mom to say.)
Funny thing is, though, I’ve discovered that music actually distracts me during those walks now that I’ve entered the rewriting stage of the layouts. Keeping a sustained mood through music actually makes it harder to step back and consider the structure of a scene or set of scenes in my head, and how to change them for the better, or to implement the suggestions of my panel of “kibitzers.”
That trance I needed to put myself in while conceiving sequences would now prevent me from evaluating those scenes objectively. More proof, if any was needed, that we need to appeal to different aspects of our creative personality at different stages of the creative process.
Hm. This post is like a Simpsons episode. One thing leads to another and…
See you Monday!
*Pop Quiz: If I added Peter Gabriel’s name to those three band names and asked you which of the four was not like the others, which would you pick and why?