Archive for ‘Press’
The always-sensible Douglas Wolk offers a solid round-up of issues surrounding comics and tablets for Wired this week.
Long time readers may find mostly familiar ground here, but it’s good to have someone put it all into perspective once in a while.
And the illustrations are pretty great.
Meanwhile, the CBLDF alerts us to a truly awful Tennessee law worth fighting. And as always, the CBLDF could use your help.
Stop by their site for news and some great premiums and special events coming up.
Here’s a really lovely 3-pager by David Lasky from yesterday’s Bloomsday commemorations.
Also lovely: these people sketches by Lucy Knisley. Can you draw that well? Me neither.
The Interwubs are all abuzz this week with Colleen Coover’s super-adorable and very funny Lana Lang comic. (Oh if only the monthlies were like this…)
Finally, the legendary Eddie Campbell has sent along a link to another fine article tracing comics early origins, so check it out.
[first few links via Spurge, I think]
Have a great weekend!
This article at GigaOm by Darrell Etherington points to what I’ve long thought of as the elephant in the room in all discussions of the comics industry: comics’ crappy cost-to-minute ratio.
While subscriptions might be an important part of the solution as Etherington suggests, I personally think that a 99 cents price point could be attractive for a one-off comics story. IF that comic was 50 pages long AND formatted to the screen.
Kurt Busiek has long made the argument that comic books took a wrong turn decades ago when they started cutting pages to keep the price the same. That less satisfying read plus a product not earning its shelf space for retailers, led to fewer copies sold, the loss of the economies of scale, and even higher prices in the long run; while in Japan, Manga’s cheap phone book sized anthologies were selling in the millions.
Now we actually have the opportunity, through a potentially more efficient distribution channel, to get prices down AND bulk up the page count (no printing cost for pixels!). Let’s not make the same mistake twice.
Rule #1: Is your comic a satisfying read?
Rule #2: Is the price low enough that your readers won’t mind paying it again and again?
Rule #3: See Rule #1. Repeat.
Here’s a new comic from the relentlessly strange and consistently intriguing cartoonist Brett Harder. I’ve mentioned Harder on Twitter a few times, but not here on the blog, so time to rectify that.
Returned from New York last night, following yesterday’s Doodle 4 Google award ceremony. The kids wore t-shirts with their doodles on them and were all super-adorable (and a bit nervous!).
Big congratulations to grand prize winner Matteo Lopez, his three winnners circle companions, as well as all 40 finalists. You were awesome.
The festivities were MC’d by the legendary Marissa Mayer along with doodle masters Ryan Germick, Sophia Foster-Dimino, Mike Dutton (who did the great final art for the Eisner doodle), and Jennifer Hom. I also had fun talking to fellow judges Jeff (Diary of a Wimpy Kid) Kinney, figure skater Evan Lysacek, and the Whitney Museum’s Kathryn Potts.
And yes, the food at Google’s new New York offices is just as good as Mountain View’s.
Finally, regarding Monday’s post, yes there is a comics writer named Stuart Moore, but no, this is a different guy.
Have a great weekend!
I’ve been dying for an excuse to plug The Influencing Machine by Brooke Gladstone and Josh Neufeld, since I read an advance copy several weeks ago, and this PW article oughtta fit the bill (though I’m a little embarrassed to be once again linking to an article that turns around and plugs me back at one point =•_•=).
The Influencing Machine is one of the best non-fiction comics I’ve read. I’m a long-time listener/reader of both Gladstone and Neufeld, and their work dovetails beautifully here as they tackle the important and timely issues of media evolution and influence.
Gladstone’s work for NPR’s On the Media has always been top-notch. Her probing, far-reaching editorials for that show set the tone for The Influencing Machine. This is an ambitious book, and it delivers. I’m delighted that she chose comics (and Neufeld!) to help hammer these vital issues into our minds.
I’ve given some talks on similar issues during web design workshops; focusing on the challenges of what I’ve been calling “cognitive load time”: how fast do users grok what’s on their screen, regardless of how fast it all renders/downloads? Looks like the idea is just as relevant in other UX circles.
One of the important benefits of fast-loading, iconic imagery is that we not only understand each piece of an interface more quickly and intuitively, we can also absorb the whole screen’s many relationships or patterns more easily. Knowing the Parts = Appreciating the Whole.
Chapter Two… Glad I wrote that one.
[via Tom Crawford and Nathan Bashaw]
Congratulations to all the Eisner Nominees this year. It was especially gratifying to see our old friend Barry Deutsch snag a nomination in the “Best Publication for Teens” category for his wonderful Hereville.
That it’s a tough category (Smile alone would make it one) is even more gratifying. Wouldn’t have a been a tough category at all just a few short years ago.
In other news, here’s an endearingly nerdy article on Mathematical Equivalence in Comics that was pretty much tailor-made for guys like me—and presumably some of you if you’re reading this blog.
Just found out that tomorrow is Mini-Comics Day! (love the small logo).
Part Two of Jessica Abel’s Helsinki report is up.
A few people on Twitter have suggested that, based on Belfast’s Build Conference website, Erik Spiekermann and I better than most at holding a pose.
And finally, here are some David Lasky Disaster preparedness comics, ’cause um, y’know, just in case.
Hm. Guess I’m in a random mood today…
ANYWAY, have a great weekend. See you Monday!
Hats off to the tireless Jessica Abel who has a great report on last month’s teaching comics seminar in Helsinki. She’s much better than me at recording what’s going on around her and I’m grateful for the record.
Also online are some of the excellent Webstock talks from February’s trip to Wellington, New Zealand. As usual, I had to decline to have my talk filmed (see Monday’s comments), but there’s lots of other great stuff up.
Spring is always a busy time for travel. Check out some of my recently-posted upcoming engagements in the travel sidebar at right.