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Archive for ‘Webcomics’


Atwomic: A Twitter Comic?

Stewart K. Moore sends word of a new experiment, via Twitter, to create 100 parallel interpretations of the same story.

He has plenty of info in his blog entry today. The action starts at the comic’s brand new Twitter feed.

In related news: Are hash-bangs really necessary, The Internet? I’ve stripped one out of the above Twitter url, and it still… kinda works, but I just don’t understand why any new innovation (cool javascript tricks) should be allowed to reduce the functionality of a really useful old one (easily shared urls).

[Mom: You can ignore that last paragraph.]


Aww, Just Read This…

There’s some real wisdom in this comic, apparently by a young Norwegian artist that I (and I suspect you) have never heard of.

[Update: It apparently was first posted on her deviantART page and yes, she's from Norway.]

Thanks to Bill Amend, by way of Raina Telgemeier, for pointing to this gem today.


Another Excuse to Link to Emily Carroll

As long as I kinda chided her last year for having such a scattered presence online, with no obvious site to point people to, I’m happy to pass along the good news that Emily Carroll has a proper website now.

Keep an eye on this artist. She’s already on a lot of her fellow cartoonists’ short lists, and I get the feeling that she’s got a lot up her sleeve still.


Friday Odds and Ends

Above: My snapshot, taken yesterday, of Jaume Plensa's haunting sculpture "Echo," now on view in nearby Madison Square Park.

Usually I take the week off from blogging while traveling but I kinda already did that while working on the lettering posts and videos, so…

As I’ve said on numerous occasions, Shaenon Garrity is Always Right. And you are hereby ordered to read her new column at TCJ (and not just because I’m name-checked in it, I promise).

Jorge Cham tries his hand at some RSAnimate-style lecture visualizations. Nice stuff. I’d love to see this become a new genre in education.

Meanwhile, it looks like a Minnesota political hack is pissing on Neil Gaiman this week. Neil is a friend, so I’m not remotely impartial on this, but I hope our community in that state will insure that this moron looks back on this particular bit of gutless pandering as a political mistake in the not-too-distant future. Full details on the event in question are provided by the more rational posters at the link (which I got via Roger Ebert, of all people).

Political bottom-feeders aside, I had a great time today at SVA’s Open IxD Festival. Thanks to the organizers, teachers, and presenters for putting on a great series of presentations.

Oh, and apropos of nothing, I say Parker Posey was born to play Lois Lane, and it’s really sad that no one ever made it happen. Who’s with me?

Have a great weekend!


Hobo Lobo

Speaking of experimental comics, Hobo Lobo of Hamelin is a cleverly designed multi-plane side-scroller by Stevan Živadinović that most of you can probably view without any technical hiccups.

I like the multi-plane effect. Full-out 3D could also work for scrollers like this of course. The key is in maintaining the work’s identity as a still life; even though navigating through it might be filled with dynamic motion.

[link suggested both on Twitter and in yesterday's comments]

Meanwhile, Dylan Horrocks has details on Darkest Day, a benefit book for the victims of the Christchurch, New Zealand earthquake which can be purchased here.

That’s it for this week. See you all Monday!


Is it my Imagination…

…or has there been an increase in the number of extended canvas webcomics by young artists lately?

Maybe it’s just wishful thinking on my part (they laughed at me at the academy, the fools!) but yesterday alone, I got two emails from relative newcomers, both consciously exploring webcomics’ unique spatial opportunities.

Check out the lovely art in Ada Starfield (above) by “Darcie” and Shira-chan’s playful The Ketchup Conundrum; two very different comics, but both ditching the page metaphor in their own way.

Maybe all we needed was a few spatially sophisticated popular stories like Emily Carroll’s His Face All Red or Daniel Lieske’s Wormworld to kick off a new round of digital exploration. Maybe it’s just a temporary blip. But hey, it’s nice to see experimentation on the rise again for as long as it lasts.


Jumbo Deluxe

Jumbo Deluxe by Portland-based Adrian J. Wallace features some lively stories and engaging characters. It’s a hard strip not to like.

It’s also drawn in an attractive clear-line style. I’m surprised I don’t see more comics sporting this look on the Web since it works well on the screen (Les McClaine’s Johnny Crossbones is the only other one that comes to mind at the moment).

[Update: Other clear-line comics online, pointed out in comments, include Rainbow Orchid and Tozo]

Wallace’s work also falls into the growing roster of kid-friendly strips that might catch on outside of nerd-dom with the right approach.

He’s only posting once a week right now. Maybe, with luck, he’ll find reasons to update more often. Fingers crossed.

[link via David Chelsea's cool perspective blog]


Connor Willumsen

Connor Willumsen is coming from a strange place, but there’s method to his madness.

His experimental webcomic Everett includes some very solid drawing—somewhere between early Moebius, and a young Chester Brown—and his layouts and storytelling are really interesting.

Regarding yesterday’s discussion, Willumsen’s story might fall less into the what-happens-next category and more into the what-just-happened category, but it’s still compelling stuff.

Everett also features some interesting expanded canvas pacing, something I’ve been seeing more of lately, which, predictably enough, makes me happy.

Image from Willumsen’s Blackhold. Thanks to Zach H for the pointer.


What Happens Next?

The Lay of the Lacrymer by Molly Hayden does a very simple thing that I’m surprised (and a little sad) that more comics don’t do.

It makes me wonder, on nearly every page, what’s going to happen next.

Simple as that. A little thing, really. And yet, in the end, it’s everything.

[Thanks to @geminica]


Pat Grant is Serious About Comics

Hit full screen on your browsers. BLUE by Australian cartoonist Pat Grant is an impressive debut with rich designs and an intriguing narrative style.

Just a few installments online so far, but each one is its own little world and worth setting aside a few minutes to let it all soak in. Grant plans to print the final result, but I think it looks great on the screen as well.

Thanks to Melbourne-based Rebecca Clements of KinokoFry fame for the link. Grant’s guest strip for KinokoFry is up this week.