[via nearly Everybody]
Hans Rickheit just began serializing a new comic called Cochlea and Eustachia. Looks weird and fascinating. No surprise there!
He also recently contributed his distinctive line art to Paul Slade’s Attenborough-inspired story of insect horror Mother’s Day. Rickheit’s intricate art always seemed a bit insectoid to me, style-wise, so it’s a good match.
Rickheit had some financial problems lately and could always use a little help. It’s never been easy to push the boundaries of your chosen art form, but we should be grateful for those willing to do so.
I’m in the iOS walled garden for now, so I can’t comment much beyond that, but if you’ve got an Android device, I’m sure it’ll be worth it (and hey, it’s free).
And for those of you who do read comics on Android devices, I’d love to hear your thoughts on the market’s potential.
Oh! And sort of on topic: It occurs to me that though I tweeted it while in Norway at EuroVis, I don’t think I linked from the blog to Google’s latest comics adventure, a fun little explanation of Google Correlate.
Darryl Cunningham continues his comics crusade to untangle lies, myths, and misconceptions with a new comic defending the science that’s grown from Darwin’s theory of natural selection. As usual, he does so with wit, charm, and quiet persistence.
I’ve considered doing something similar, maybe even a book length project, but these days I have trouble even thinking about this issue without getting pissed off and just wanting to smash my head against a wall. The idea that there are so many millions of people in this country who still believe the Earth is less than 10,000 years old is a national disgrace.
But a book filled with that wouldn’t convince anyone.
So thank you, Darryl Cunningham, for suffering fools gladly. You’re a better man than I am.
[Edit to add: Scott Dubois in comments points to this recent comics explanation of Evolution by the capable team of Hosler, Cannon, and Cannon. Looks good!]
Clifford Meth shares the details.
Gene Colan was one of my favorite artists in my early teen years, when I was first discovering comics.
The first full run of a comic book series that I read was Daredevil (lent to me by Kurt Busiek in middle school), including many issues drawn by Gene.
The first drawing I made of an established comic book character may well have been based on images he created for that series.
Gene Colan’s work was unique, personal, and always a joy to look at. May he rest in peace.
Link via Lori.
Some of you might remember Ryan’s story “Nothing is Forgotten” which I plugged in January. I liked that story, but I think I like this one even more.
The always-sensible Douglas Wolk offers a solid round-up of issues surrounding comics and tablets for Wired this week.
Long time readers may find mostly familiar ground here, but it’s good to have someone put it all into perspective once in a while.
And the illustrations are pretty great.
Meanwhile, the CBLDF alerts us to a truly awful Tennessee law worth fighting. And as always, the CBLDF could use your help.
Stop by their site for news and some great premiums and special events coming up.
Here’s a cool-looking new webcomic: Decrypting Rita by Egypt Urnash.
According to my old pal Thomas Blue (a visually striking artist in his own right), Egypt has an animation background, did some work at Spumco, and she might include some NSFW scenes later so be warned [...or maybe not; see correction in comments].
I like the fact that Egypt does all her artwork in Adobe Illustrator. Haven’t seen many artists do that since Demian5′s legendary When I Am King.
I also appreciate the screen-shaped pages, but, y’know… We won’t go into that rant right now.
Just wondering, those of you who watch these things like me: Have we passed the point where new interesting cartoonists are now more likely to be women than men?
If the ranks of comics pros ever get to 50% is there any chance we might just keep going?
I, for one, wouldn’t mind a bit.
Update: Found Egypt’s personal site and at least one of her biographical details sheds an interesting new light on my crossing-fifty-percent comment above. Needless to say, Egypt’s case is not typical, though not unique either.