Just a quick note this morning (’cause I wanna get back to drawing!) but just wanted to thank everyone who came out to Northwestern yesterday for the lecture, and all those who contributed to making this year’s Comics and Medicine conference such a success.

Porcellino's latest: A collaborative exploration of suicide, which I read on the plane back and highly recommend.

Had the great pleasure of finally meeting David Small and Phoebe Gloeckner, getting better acquainted with John Porcellino, Brian Fies, Ethan Persoff, “The Man at the Crossroads” Paul Gravett, the good folks at Quimby’s (the only store I know that’s so cool, they actually alphabetize their minis) and several new cartoonists and creatively-inclined scholars and medical professionals doing important work in an area of study that I’ll bet many of you hadn’t even heard of before last week.

One of these days, I’ll have to cook up some kind of grand unified theory of visual communication (hint: that IEEE conference in Norway from two weeks ago and the Comics and Medicine conference have more in common than you might think) but for now, thanks to the organizers for a lovely trip to the windy city.

Attention Australia!: I’ll be joining cartooning legends Robert Crumb, Jim Woodring, Peter Kuper and others this summer (well, okay, technically winter) for GRAPHIC: A Weekend of Graphic Storytelling, Animation and Music at the Sydney Opera House.

Off to Norway Monday for EuroVis 2011. I’ve recently updated the travel sidebar at right. Click on the Belfast link to see a great homepage (someone on Twitter was congratulating Erik S. and I for our superior ability to hold a pose).

Sorry that I seem to have a lot of corporate or closed talks this year (as opposed to cheap or free public lectures; NYU, for example is a closed talk for the Liberal Studies freshmen only). Just the roll of the dice.

If you work at a university or other organization that you think might want to sponsor an old-fashioned public lecture, let me know and I can send along prices and details.

Not expecting to do much blogging while in Norway, so have a great weekend and a great week!

Here’s a new comic from the relentlessly strange and consistently intriguing cartoonist Brett Harder. I’ve mentioned Harder on Twitter a few times, but not here on the blog, so time to rectify that.

Returned from New York last night, following yesterday’s Doodle 4 Google award ceremony. The kids wore t-shirts with their doodles on them and were all super-adorable (and a bit nervous!).

Big congratulations to grand prize winner Matteo Lopez, his three winnners circle companions, as well as all 40 finalists. You were awesome.

The festivities were MC’d by the legendary Marissa Mayer along with doodle masters Ryan Germick, Sophia Foster-Dimino, Mike Dutton (who did the great final art for the Eisner doodle), and Jennifer Hom. I also had fun talking to fellow judges Jeff (Diary of a Wimpy Kid) Kinney, figure skater Evan Lysacek, and the Whitney Museum’s Kathryn Potts.

And yes, the food at Google’s new New York offices is just as good as Mountain View’s.

Regarding Tuesday’s post, You can read more about (and of) The Influencing Machine on Slate today. Check it out.

Finally, regarding Monday’s post, yes there is a comics writer named Stuart Moore, but no, this is a different guy.

Have a great weekend!

Check out this fundraiser for The Sequential Artists Workshop; a great new school to be built in Gainesville, Florida, under the direction of Tom Hart. Definitely a worthy cause.

I wish I could have had Tom as a teacher when I was starting out. With your support, others will finally get the chance to be taught by Tom and other great teachers in the coming years.

Note: The campaign at Indiegogo is similar to Kickstarter, but with the important difference that all your contributions are tax-deductible.

There’s some real wisdom in this comic, apparently by a young Norwegian artist that I (and I suspect you) have never heard of.

[Update: It apparently was first posted on her deviantART page and yes, she’s from Norway.]

Thanks to Bill Amend, by way of Raina Telgemeier, for pointing to this gem today.

As long as I kinda chided her last year for having such a scattered presence online, with no obvious site to point people to, I’m happy to pass along the good news that Emily Carroll has a proper website now.

Keep an eye on this artist. She’s already on a lot of her fellow cartoonists’ short lists, and I get the feeling that she’s got a lot up her sleeve still.

Above: My snapshot, taken yesterday, of Jaume Plensa's haunting sculpture "Echo," now on view in nearby Madison Square Park.

Usually I take the week off from blogging while traveling but I kinda already did that while working on the lettering posts and videos, so…

As I’ve said on numerous occasions, Shaenon Garrity is Always Right. And you are hereby ordered to read her new column at TCJ (and not just because I’m name-checked in it, I promise).

Jorge Cham tries his hand at some RSAnimate-style lecture visualizations. Nice stuff. I’d love to see this become a new genre in education.

Meanwhile, it looks like a Minnesota political hack is pissing on Neil Gaiman this week. Neil is a friend, so I’m not remotely impartial on this, but I hope our community in that state will insure that this moron looks back on this particular bit of gutless pandering as a political mistake in the not-too-distant future. Full details on the event in question are provided by the more rational posters at the link (which I got via Roger Ebert, of all people).

Political bottom-feeders aside, I had a great time today at SVA’s Open IxD Festival. Thanks to the organizers, teachers, and presenters for putting on a great series of presentations.

Oh, and apropos of nothing, I say Parker Posey was born to play Lois Lane, and it’s really sad that no one ever made it happen. Who’s with me?

Have a great weekend!

You can read the whole thing here. Great little story. Stockton offers some context on his blog here.

I’m encouraged to see artists embracing the short story form a bit more. Anthologies used to be the only venue (and indeed, this one was originally for Popgun Vol. 4), but they also work well on the Web, where a GN’s worth of time may be hard to find, but many viewers are ready to carve out 5-10 minutes.

Stories like “HfO” (or this or this) also make a great entry point for new comics readers, wondering what might be worth reading out there, but nowhere near ready for a more substantial investment of time and effort.

[link via Heidi—though I’m a bit late getting around to it!]

Speaking of experimental comics, Hobo Lobo of Hamelin is a cleverly designed multi-plane side-scroller by Stevan Živadinović that most of you can probably view without any technical hiccups.

I like the multi-plane effect. Full-out 3D could also work for scrollers like this of course. The key is in maintaining the work’s identity as a still life; even though navigating through it might be filled with dynamic motion.

[link suggested both on Twitter and in yesterday’s comments]

Meanwhile, Dylan Horrocks has details on Darkest Day, a benefit book for the victims of the Christchurch, New Zealand earthquake which can be purchased here.

That’s it for this week. See you all Monday!

…or has there been an increase in the number of extended canvas webcomics by young artists lately?

Maybe it’s just wishful thinking on my part (they laughed at me at the academy, the fools!) but yesterday alone, I got two emails from relative newcomers, both consciously exploring webcomics’ unique spatial opportunities.

Check out the lovely art in Ada Starfield (above) by “Darcie” and Shira-chan’s playful The Ketchup Conundrum; two very different comics, but both ditching the page metaphor in their own way.

Maybe all we needed was a few spatially sophisticated popular stories like Emily Carroll’s His Face All Red or Daniel Lieske’s Wormworld to kick off a new round of digital exploration. Maybe it’s just a temporary blip. But hey, it’s nice to see experimentation on the rise again for as long as it lasts.