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Archive for ‘Process’


Oh, Wait! Here’s Something Important After All…

IMPORTANT UPDATE:

Next Weekend (December 11-12) is my Comics: Theory and Practice Two-Day Workshop at the Los Angeles Academy of Figurative Art.

Due to a site update glitch, the workshop was listed as “Sold Out” for a week. That’s actually wrong. It’s ALMOST sold out, but if you’d still like to participate, there are just a few seats left. Sorry for the confusion.

In two very full days, it’ll be my pleasure to teach you everything I know about making comics. Now’s your last chance to sign up to join us.


Question

Cartoonists: Do you know that what you put in your panels is potentially far more interesting than how well you draw it?


Understanding | Making | Teaching

Haven’t listened again myself yet, so there’s a chance I made a fool of myself, but I enjoyed talking with James Sturm on our Friday Comic-Con panel and I think some interesting points were raised.

Courtesy of TCJ, here’s the audio of the panel (and photo by Kristy Valenti).


Drawing your Attention to Drawing your Attention

Great post by Aaron Diaz on Focal Points.

[via several people, including Kate Beaton, but I think the first was an email from Spencer Greenwood]


Wanna Help Jim Woodring Build a Big-Ass Pen?

When one the greatest cartoonists of our time decides he wants to build a seven foot long dip pen, y’gotta answer the call!

Check out the video. It’s actually a terrific idea and worth the Herculean effort it will take to pull it off.

Meanwhile, if you don’t have Jim’s gorgeous new book Weathercraft yet, well… what are you waiting for?

link via Fantagraphics.


Cause and Effect

Ed Piskor offers a great round-up of that peculiar comics phenomenon: the single panel in which an action and its consequences/reactions share the same visual instant.

[via BoingBoing via Mike Fortress]


Friday Odds and Ends

Not comics, but everybody keeps sending me I am Sitting in a Video Room (be sure to watch the other 999!) and this recent news piece on “the writer who couldn’t read” on the assumption that I’d find them interesting—which I did, so here they are.

Via Spurge, his annual Comic-Con Survival Guide and an awesome Jack Kirby Quote.

Finally, here are some nice immersive comics pages from concept artist Justin coro Kaufman.

So, yeah… truly random, but there you go. Go back to playing Angry Birds and enjoy the weekend!


“95% True”


Been reading and enjoying two very different autobiographical comics; Tracy White’s memoir GN How I Made It to Eighteen and Lea Hernadez’s Near-Life Experience entries at LJ.

White’s book delivers literally on the title, detailing her recovery from mid-teen traumas, and how treatment helped her to not die before becoming the successful and accomplished adult she is today. And like her webcomics at traced.com, How I Made It to Eighteen is “guaranteed 95% true.” She’s changed names and details, but you know you’re getting the facts that matter.

Hernandez’s NLEx also struggles with those 5% quandries, in her case because she’s not writing about events and friends from decades ago, she’s writing about stuff that happened Tuesday, and about a family that might be in the next room. You can feel the inner struggle as she writes about how much she’s willing to write about her son’s ongoing struggles to fit in to society’s limited expectations of him.

It’s a real open question whether any autobiography can ever be more than 95% true. Mark Twain stipulated that his memoir not be published until 100 years after his death (this year!), presumably so that he could be 100% honest—a full implementation of the Mystery Quote—but from what I’ve heard, the old guy doesn’t come across as particularly objective while ranting about his many late-in-life grudges.

Emotional honesty and factual accuracy aren’t the same thing after all. Twain may have thought he was hitting 100%, but maybe nobody can ever get past 95%. And maybe saying so upfront, as White and Hernandez both do in their own fashion, is the most honest way to start.


Four Kinds of Beautiful

Close-ups of the four color printing process, courtesy of Half-Man Half-Static.

[via Tom Gauld]


The Mystery Quote

“Write as if everyone you ever loved was dead.”

It’s great advice for writers. Right up there with “Murder your Darlings” (Sir Arthur Quiller-Couch, apparently) and “Every character should want something, even if it is only a glass of water” (Kurt Vonnegut).

But who said it?

I must have the phrasing off, since Googling yielded nothing, but I’m sure that was the essential meaning of the advice. McEwan said something similar regarding parents, and there’s a jumbled similarity to something by Lynn Freed (both via Twitter), but otherwise I’m drawing a blank, so I’m turning to you.

Does anyone recognize this advice?