Still working hard on the graphic novel through this fall, so this blog will continue to be pretty quiet for a while. Panel at left from a recent page (yeah, I know, not much to go on!).
If you’re curious about the GN, here are the posts that’ve mentioned it so far (scroll to the bottom to read in order—it’ll look like nothing’s happened at first, but that’s just ’cause this post is one of them). Feel free to laugh at me for my original guesses at the completion date. (It’s taken, um… a bit longer.)
I’ve updated the sidebar regarding some upcoming trips. Norway, Comic-Con, Belgium, Ball State, and Mount Holyoke, all in the sights for summer and fall; with more to come in the spring.
Missed between updates was a fun visit to Blizzard Entertainment, just last week. Thanks to the whole gang there for a great pair of events.
As always, I’ll be posting random thoughts and links mostly via Twitter. Follow me, and you can be annoyed on a more regular basis.
Have a great spring/summer/fall. I’ll have plenty to say when I crawl back out from the shadows later this year!
Still toiling away at the graphic novel, so this blog will remain quiet a few months longer, but I do have a tight cluster of trips coming up, so here’s a bit more info on each, starting with an important opportunity coming up next month.
The Two Day Making Comics Workshop comes to Alberta!
On March 21-23, I’ll be bringing the lecture and full 2-Day Workshop to the Galt Museum in Lethbridge, Alberta. SIGN-UP for one of the limited workshop seats, and get your advance tickets for the lecture starting on Feb 22.
This is the first time the 2-day workshop has come to Canada, and this and the Los Angeles workshop (see last post) are the only ones currently planned for 2013, so don’t miss this chance to learn two full days worth of comics-making strategies and techniques.
Out and About
Somehow, after a quiet autumn, I wound up with six trips in seven weeks. I’m not sure what happened there, but I plan to make the most of it. See sidebar at right for the full list.
In Berlin, on Friday March 15, I’ll be giving my lecture twice(!). Once in the morning at 10:00 am, to students, and then at 6 pm to the general public. Both are part of the Berlin International Literature Festival. Come with smelling salts, it’ll be awesome.
And finally, I’ll be rounding up this miniature trip-a-palooza with a very special Regents Lecture at nearby University of California Santa Barbara on April 10, at 8 pm. It’ll be in UCSB’s Campbell Hall which is a big room, so if you’re in Southern California, please tell your friends. I’ll be telling mine!
Anyway, that’s the schedule as it stands now. You can bet I’ll be drawing every day that I’m not traveling. And if all goes well, I’ll have a nice fat 480 page graphic novel done by the end of the year, and an equally exciting book underway after that.
Two recent passings that struck a chord: The great Moebius, who had a huge influence on me (and most of my generation probably). Also very sad to hear of the loss of Peter Bergman of Firesign Theatre fame. I had the pleasure of spending time with Peter at a conference in Colorado about 15 years ago and was able to tell him how much his work had shaped my teen years. Moebius, I met only once (at Comic-Con). I told him he changed my life and he just laughed and said “I’m so sorry!”
That’s all for now. Back to the Cintiq. Many pages yet to draw, so you won’t hear from me much for a while, but I hope it’ll be worth the wait.
You can also find me on both Twitter and Google+ (where I pop-up a little more often than here).
Do you live in LA, Ventura, Santa Barbara or Kern County? Willing to drive to Thousand Oaks, CA this Sunday afternoon (Aug 14)?
I’ve got a difficult page coming up that requires an unusual crowd shot and I’ve decided I need photo reference. Aiming for 2-3pm. If you’d like to participate, please email me and I’ll send more details.
Here’s a cool idea: Rene Engström and Rasmus Gran have a long distance relationship and have decided to chronicle it in parallel diary comics (I would say it’s a unique idea, but I’ve actually seen at least one other!).
From the site:
“Every Tuesday, since the 16th of March, Rasmus Gran and myself have documented our lives in the form of autobiographical comic strips. We have quite the buffer now so we feel pretty good about finally launching the comic. Our hopes are to give a little glimpse into the lives of a modern family spread out over the Swedish landscape, from downtown Östersund to Möllevången in Malmö. Sometimes we do things together but a large part of the time we have to live our lives apart.”
In other news, my host in Barcelona, David Macho Gomez, is launching Spanish comics site spanishinq.com.
And finally, on the work front, I’ve now finished the second rough draft of my graphic novel (working title The Sculptor). Next step: Beginning many months of finished art (and probably going back to make some more changes to the roughs, but that’s to be expected.) Wish me luck!
I’m even okay with the ’60s Batman-style sound effects! Thanks, everyone I’ve ever known for telling me about this as soon as I got home.
Oh, and hey, as long as it’s Random Friday, I’ve got a question: I’m dying to find a reeeeeally old music video from the ’80s—maybe even pre-MTV. It had a funky, electronic song (possibly no words) with black and white, photocopy-style animation. There was a recurring assembly line motif with hamburgers and hands and that creepy masonic eye/pyramid thing. Really cool and jerky, almost like it was made by a robot Terry Gilliam. Does anyone remember this video? I’d love to find it out there somewhere but I don’t know anything about the director or even the musician(s) involved.
As some of you might have guessed, based on past blog entries, music is very important to our whole family. Sky is going to Coachella this year with a friend of ours and I’m envious, but after Italy, I’m going to be too eager to get back to work on the book, so I’ve got to miss it yet again.
I love that my daughter has been listening to bands like Passion Pit, Hot Chip, and Vampire Weekend* (all at Coachella) while simultaneously getting into Bob Dylan and Bob Marley, on LP no less—and that I had nothing to do with those last two. Well, any of them technically, (though I did discover Edward Sharpe and the Magnetic Zeros before her).
I used music constantly while working on the first draft of the layouts for the new book. I had several different playlists for different kinds of scenes and I’d go for long walks trying to imagine sequences, while letting the music sustain the mood I was going for.
Recently though, I mentioned this to my Mom over the phone and she said she hoped I took the headphones off once in a while to listen to the sounds around me too. (Which is both reasonable, and exactly the kind of thing you count on a Mom to say.)
Funny thing is, though, I’ve discovered that music actually distracts me during those walks now that I’ve entered the rewriting stage of the layouts. Keeping a sustained mood through music actually makes it harder to step back and consider the structure of a scene or set of scenes in my head, and how to change them for the better, or to implement the suggestions of my panel of “kibitzers.”
That trance I needed to put myself in while conceiving sequences would now prevent me from evaluating those scenes objectively. More proof, if any was needed, that we need to appeal to different aspects of our creative personality at different stages of the creative process.
Hm. This post is like a Simpsons episode. One thing leads to another and…
See you Monday!
*Pop Quiz: If I added Peter Gabriel’s name to those three band names and asked you which of the four was not like the others, which would you pick and why?
As I’ve been working on my Manhattan and Brooklyn-based story from far away, I’ve been building a mental map of life in the city today, but it still has plenty of holes in it and it’s been a long, long time since I’ve lived there myself.
For anyone out there living in working in Manhattan and Brooklyn especially, I’d be curious to hear about the neighborhoods you live in and why you chose to live there.
[Note: No disrespect intended to Queens and the other boroughs (see first comment), the story just happens to take place mostly in those two. That said, I'd be curious to hear from all five boroughs just for the perspective.]
Just for fun, here’s a distant screenshot of all 466 pages of my rough draft layouts for my upcoming graphic novel (working title The Sculptor). This is as close as I can bring you right now, but as work goes on in the coming months, I promise to show some actual art.
It’s a testament to the speed of today’s processors—well, 2007′s processors—that what you’re looking at actually exists in a single file and if zoomed in, the lettering is readable. To get a sense of the scale, each of those dark gray rectangles is a two-page spread chapter divider.
When heading into rewrites and restructuring, it’s always helped me to step back and look at “the big picture.” For all my previous projects, including the all-digital Making Comics, I had to depend on paper layouts to get that kind of topsight, but for this project it’s all pixels from start to finish.
Oh, and yes, I still plan to make it shorter during the next two months, even though I had to adjust the count upwards from the last blog post.